Hegemoni Hollywood Pada Film American Sniper

Melis Tanaka, J. A. Wempi
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引用次数: 0

Abstract

Most movies shown in Indonesian cinemas are Hollywood movies. From existing genres, war movies tend to be used by Hollywood to spread their hegemonic practices. American Sniper, which was released in 2014, is one of the examples. The heroic scene acted by the main lead persuades the audience that America has a hero involved in Navy SEALs. This study was qualitative research using a critical paradigm. Hollywood’s hegemony in the film American Sniper (2014) could be understood by elaborating the three dimensions of Critical Discourse Analysis by Norman Fairclough, along with the theory of hegemony by Antonio Gramsci. The result of the research shows that in microanalysis, there are universal and idealist elements such as patriotism, nationalism, and loyalty. Meso analysis found that PT. Omega Film is a registered distributor of Film Censorship Institute (LSF) as part of the Political Society, according to Gramsci, which plays a significant role in the distribution of Hollywood films in Indonesia. Based on the macro analysis, the American Sniper (2014) film is one of the hegemonic practices of Hollywood in the era of neo-conservative that contains American centric.
霸权好莱坞帕达电影美国狙击手
印度尼西亚电影院放映的大多数电影都是好莱坞电影。从现有的类型来看,战争片倾向于被好莱坞用来传播他们的霸权做法。2014年发行的《美国狙击手》就是一个例子。主角表演的英雄场景让观众相信美国有一位英雄参与了海豹突击队。本研究采用批判性范式进行定性研究。通过Norman Fairclough的批判性话语分析的三个维度,以及Antonio Gramsci的霸权理论,可以理解电影《美国狙击手》(American Sniper, 2014)中好莱坞的霸权。研究结果表明,在微观分析中,存在爱国主义、民族主义和忠诚等普遍和理想主义因素。Meso分析发现,根据葛兰西的说法,PT. Omega Film是Film Censorship Institute (LSF)的注册发行商,LSF是政治社会的一部分,在好莱坞电影在印尼的发行中起着重要作用。从宏观上分析,《美国狙击手》(2014)是好莱坞在新保守主义时代的霸权实践之一,蕴含着美国中心主义。
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