INTERCULTURAL COMMUNICATION IN THE TRILOGY OF RUSH HOUR

I. Sastrawan
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Abstract

Intercultural communication (ICC) is a dynamic communicative phenomenon due to the cultural value presented in the multicultural communication exchange. The present study aims to explore the intercultural communication between Black and Chinese speakers in the trilogy of Rush Hour. Specifically, this study aims to see the characteristics of Black English and the communicative effects of conversation among speakers of different cultural backgrounds. Through the methods of qualitative descriptive, linguistic behavior is justified to show whether the conventions are acceptable to each community group. The results show that as an American English-speaking, Carter, a Black American is more expressive in using English because he is a native speaker, while Lee, as an L2 English from China, faces more communicative barriers. The cultural value of non-standard forms also adorns such conversation, e.g., phonological and sentence structures stigmatization. Not to mention, Chinese surnames produce homonyms with English pronouns.
《尖峰时刻》三部曲中的跨文化交际
跨文化交际是一种动态的交际现象,这是多元文化交际中所表现出的文化价值。本研究旨在探讨《尖峰时刻》三部曲中黑人和汉语使用者之间的跨文化交际。具体而言,本研究旨在了解黑人英语的特点以及不同文化背景的说话者之间的对话的交际效果。通过定性描述的方法,语言行为被证明是合理的,以表明这些惯例是否为每个社区群体所接受。结果表明,作为一个说英语的美国人,美国黑人Carter因为是母语,所以在使用英语时更有表现力,而Lee作为一个来自中国的L2英语,面临更多的交际障碍。非标准形式的文化价值也装饰了这种对话,如语音和句子结构的污名化。更不用说,中国人的姓氏会与英语代词产生同音异义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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