Subjective Sensation of Color Differences – Determination of Thresholds Depending on Color Tones and Resolution

C. Brischke, Tanja Borcharding, U. Mengel
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引用次数: 2

Abstract

Abstract Colors are frequently defined by three points on the L*a*b* coordinates of the CIELAB color space, and the distance between two colors can be expressed as the total color difference ΔE. In particular with respect to reproducibility of print media color differences are an important parameter, as well as for car finishes and textile dyes. Color changes are also the result of ageing and weathering which is an issue for art objects and in the building and restoration sector. However, the subjective perceptibility of color differences depends on numerous factors and general thresholds are difficult to define. This study aimed therefore on defining tolerance levels for color changes in dependence of color tones and color tone combinations as well as their resolution. In total 30 test persons evaluated samples, which had been painted with acrylic artist colors with defined color differences (ΔE = 0–7). The test subjects realized color differences already at ΔE = 1–4 for the highest resolution. Threshold values have been identified for different tones as well as the effect of interdependencies between tones and the level of color heterogeneity between adjacent areas.
色差的主观感觉。根据色调和分辨率确定阈值
颜色通常由CIELAB色彩空间的L*a*b*坐标上的三个点来定义,两种颜色之间的距离可以表示为总色差ΔE。特别是在印刷介质的再现性方面,色差是一个重要的参数,对于汽车涂饰和纺织染料也是如此。颜色变化也是老化和风化的结果,这是艺术品、建筑和修复领域的一个问题。然而,色差的主观感知取决于许多因素,一般阈值难以确定。因此,本研究旨在确定色彩变化对色调和色调组合的依赖性及其分辨率的容忍度。总共有30名测试人员对样品进行了评估,这些样品已经用丙烯酸艺术家的颜色进行了涂漆,并定义了色差(ΔE = 0-7)。测试对象已经意识到颜色的差异在ΔE = 1-4的最高分辨率。已经确定了不同色调的阈值,以及色调之间相互依赖的影响和相邻区域之间的颜色异质性水平。
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