Creating National Media Brand by Transmedia Storytelling in Animation Sector: A Comparison of Selected Cases from Turkey and Pakistan

IF 0.7 Q3 COMMUNICATION
Asiye Ayben Çelik, Nadia Nasir
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引用次数: 0

Abstract

ABSTRACT The animation industry, which plays a key role in cultural identity construction for new generations, uses multiple media channels to convey their messages concerning their brands and interact with audience by using transmedia storytelling technique (TST). TST empowers integrated marketing communication efforts of the businesses and enables the audience to experience a unique holistic entertainment. The main purpose of this study is to analyze how TST is adopted to create national media brands by Turkish and Pakistani animation producers comparatively and to investigate how cultural representation is treated in the selected cases – Elif’in Düşleri, Teen Bahadur. The study was designed as a qualitative research of multiple case studies. Multiple media channels across which the story unfolds were examined in detail with the help of illustrations, and a content analysis was made for each production. For both cases, the producers conducted the productions as transmedia projects by converting the story through a national media brand via several media channels. Cultural representation was achieved through local plots, local places, traditions, values, names and people. It’s been observed that the Turkey is ahead of Pakistan with its production of several national cartoon films/series compared to Pakistan.
动画跨媒体叙事打造民族媒体品牌:土耳其与巴基斯坦案例比较
动画产业在新生代的文化认同建构中扮演着关键角色,它通过多种媒体渠道传达品牌信息,并运用跨媒体叙事技术(TST)与受众互动。TST赋予企业整合营销传播的力量,让观众体验到独特的整体娱乐。本研究的主要目的是比较分析土耳其和巴基斯坦动画制作人如何采用TST来创建民族媒体品牌,并调查在选定的案例中- Elif 'in d leri, Teen Bahadur中如何处理文化表征。本研究被设计为多案例研究的定性研究。在插图的帮助下,详细检查了故事展开的多种媒体渠道,并对每个产品进行了内容分析。在这两个案例中,制作方都是将故事通过多个媒体渠道转化为一个全国性的媒体品牌,作为跨媒体项目进行制作。文化表现是通过当地的地块、地方、传统、价值观、名字和人物来实现的。据观察,与巴基斯坦相比,土耳其在制作几部国家卡通电影/系列方面领先于巴基斯坦。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.50
自引率
14.30%
发文量
32
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