“Come vertute in petra prezïosa”

IF 0.2 0 LITERATURE, ROMANCE
Matteo Pace
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引用次数: 0

Abstract

Although in the last few decades scholars have dedicated much attention to the juridical world and the academic environment of Bologna and its flourishing university in the second half of the thirteenth century, totally uncharted territory are the connections between Guido Guinizzelli di Magnano (1230s–1276), judge, prosecutor, and one of the main literary references of the upcoming Dolce Stilnovo, and the professional activity of Taddeo Alderotti (1206/1215–1295), the catalyst of the new scientific trends of the Bolognese medical school. Guido Guinizzelli’s canzone “Al cor gentil” offers a groundbreaking theory of nobility that philosophically conflates love with nobility. This article argues that the philosophical progress of the canzone presents an understanding of medical and scientific terminology that must be put in contact with Taddeo and his interest in Avicenna’s medical philosophy. Guinizzelli’s correspondence between love and nobility is nurtured by Avicenna’s increasingly popular doctrine of forma specifica, which structures the reasoning and the examples of the vernacular poem. Guinizzelli therefore frames the idea of nobility in the heart of the lover as the forma specifica of the noble man, and conceives the lady as the divine intelligence that reduces to act his potentiality.
虽然在过去的几十年里,学者们对法律界和博洛尼亚的学术环境及其在13世纪下半叶蓬勃发展的大学投入了大量的关注,但完全未知的领域是Guido Guinizzelli di Magnano(1230 - 1276),法官,检察官,以及即将到来的Dolce Stilnovo的主要文学参考之一,与Taddeo Alderotti(1206/1215-1295)的专业活动之间的联系。博洛尼亚医学院新科学趋势的催化剂Guido Guinizzelli的赞歌《Al cor gentil》提供了一个开创性的贵族理论,在哲学上将爱与贵族混为一谈。本文认为,canzone的哲学进步呈现出对医学和科学术语的理解,这必须与Taddeo及其对阿维森纳医学哲学的兴趣联系起来。圭尼策利的爱情和高贵之间的对应关系是由阿维森纳日益流行的具体形式学说滋养的,它构成了推理和白话诗歌的例子。因此,圭尼策利在情人心中构建了高贵的概念,作为高贵男人的特殊形式,并把女人想象成神圣的智慧,降低了他的潜力。
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来源期刊
Romanic Review
Romanic Review Arts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍: The Romanic Review is a journal devoted to the study of Romance literatures.Founded by Henry Alfred Todd in 1910, it is published by the Department of French and Romance Philology of Columbia University in cooperation with the Departments of Spanish and Italian. The journal is published four times a year (January, March, May, November) and balances special thematic issues and regular unsolicited issues. It covers all periods of French, Italian and Spanish-language literature, and welcomes a broad diversity of critical approaches.
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