{"title":"An act of transgression: performing arts as a subject choice within a coastal area of deprivation","authors":"Aly Colman, Geoffrey Colman","doi":"10.1080/14682761.2020.1807206","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper examines the perceptions and aspirations of secondary school pupils interested in a career in the performing arts. The pupils in this case study were participating in drama-based courses and this research offers findings relevant for those working in schools, FE and HE, as well as the creative arts industries. This research is located within a coastal area of deprivation, Waveside, situated within England, UK. We have used fictional names for the towns, school and participants in this research, to offer anonymity. England’s coastal areas are often linked to deprivation. Within this context, a focus group of GCSE, A level and BTEC Drama pupils from Seagreen Secondary Academy, a secondary school in Waveside, provides the data that informs this research, with additional contextual narrative from the pupils’ teacher. The findings show that to study a performing arts subject is perceived by some pupils as an act of transgression. These pupils resisted neoliberal curriculum priorities resulting in tensions between school, parents and friends. Those acting as gate-keepers to professional actor training and other career opportunities within the arts, may need to review practices for recruitment and development support within marginalised communities.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"11 1","pages":"292 - 302"},"PeriodicalIF":0.3000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14682761.2020.1807206","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT This paper examines the perceptions and aspirations of secondary school pupils interested in a career in the performing arts. The pupils in this case study were participating in drama-based courses and this research offers findings relevant for those working in schools, FE and HE, as well as the creative arts industries. This research is located within a coastal area of deprivation, Waveside, situated within England, UK. We have used fictional names for the towns, school and participants in this research, to offer anonymity. England’s coastal areas are often linked to deprivation. Within this context, a focus group of GCSE, A level and BTEC Drama pupils from Seagreen Secondary Academy, a secondary school in Waveside, provides the data that informs this research, with additional contextual narrative from the pupils’ teacher. The findings show that to study a performing arts subject is perceived by some pupils as an act of transgression. These pupils resisted neoliberal curriculum priorities resulting in tensions between school, parents and friends. Those acting as gate-keepers to professional actor training and other career opportunities within the arts, may need to review practices for recruitment and development support within marginalised communities.
本文考察了对表演艺术职业感兴趣的中学生的看法和愿望。在这个案例研究中,学生们参加了以戏剧为基础的课程,这项研究为那些在学校、高等教育和高等教育以及创意艺术行业工作的人提供了相关的发现。这项研究是位于沿海地区的剥夺,波边,位于英国英格兰。为了匿名,我们使用了虚构的城镇、学校和参与者的名字。英格兰的沿海地区经常与贫困联系在一起。在此背景下,来自西格林中学(Waveside的一所中学)的GCSE, a level和BTEC戏剧学生的焦点小组提供了为本研究提供信息的数据,并提供了学生老师的额外背景叙述。研究结果表明,一些学生认为学习表演艺术科目是一种越轨行为。这些学生抵制新自由主义的优先课程,导致学校、家长和朋友之间的紧张关系。那些在艺术领域充当专业演员培训和其他职业机会守门人的人,可能需要审查边缘化社区的招聘和发展支持做法。