Spenser’s March and Sixteenth-Century Philology

Abstract

This essay argues that March’s reception of ancient pastoral is shaped by recent developments in Northern humanist philology. First of all, it imitates an idyll that received no scholarly attention until the mid-sixteenth century. The poem benefits, moreover, from Baïf’s reconstruction of a textual crux in Moschus 1. Finally, March also receives from Baïf its method of imitating Virgil, which reflects contemporary insight into Virgil’s reception of Hellenistic poetry. All of these developments arise from the practice of comparative exegesis, a philological method perfected by Parisian humanists. This essay thus aims to place March in the context of a particular cultural movement, namely sixteenth-century French Hellenism.