The Pragmatics of Romanticism. Edmund Burke as Art Theorist

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
A. V. Rykov
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引用次数: 0

Abstract

The article is devoted to the pragmatic aspects of Edmund Burke’s theory of art. The author identifies pragmatic components in the works of the British philosopher of various genres. The emphasis is on the interdisciplinary nature of Burke’s theory of art, which included artistic, psychological and political dimensions. The pragmatic dimension of Burke’s thought opens up a new field of research in the field of romantic aesthetics and art theory. The pragmatic romanticism of the British thinker complements our ideas about classical and modern art. His ideas shed new light on the development of Western European art from Baroque and classicism to avant-garde and postmodernism. At the same time, the problems of aesthetics, as well as the problems of power, are considered by Burke in a “psychoanalytic” and semiotic way, that is, without evaluation, and romantic special effects are subjected to objective analysis both in literature and art, and in politics. The pragmatic dimension allows us to redefine the role of Burke as the true founder of scientific art studies, who anticipated the most modern methods of analyzing artistic processes. The physiological, natural-scientific connotations of Burke’s work are also studied in the context of pragmatic strategies, as opposed to idealistic interpretations of the romantic theory of art.
浪漫主义的语用学。埃德蒙·伯克作为艺术理论家
这篇文章致力于探讨埃德蒙·伯克艺术理论的实用主义方面。作者在这位英国哲学家的不同流派的作品中识别了语用成分。重点是伯克艺术理论的跨学科性质,包括艺术、心理和政治维度。伯克思想的语用维度为浪漫主义美学和艺术理论领域开辟了新的研究领域。这位英国思想家的实用主义浪漫主义补充了我们对古典和现代艺术的看法。他的思想为西欧艺术从巴洛克和古典主义到前卫和后现代主义的发展提供了新的启示。与此同时,伯克以“精神分析”和符号学的方式思考美学问题,以及权力问题,即不加评价,浪漫主义的特殊效果在文学、艺术和政治中都受到客观的分析。实用主义维度允许我们重新定义伯克作为科学艺术研究的真正创始人的角色,他预测了分析艺术过程的最现代方法。伯克作品的生理、自然科学内涵也在实用主义策略的背景下进行了研究,而不是对浪漫主义艺术理论的理想主义解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
50.00%
发文量
9
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