Resistance in Visual Narratives: A Multimodal CDA of Images of the #EndSARS Protests in Nigeria

Abstract

This article examines 25 purposively selected images of the EndSARS protests in Nigeria. The data are subjected to qualitative analysis and analyzed from a multimodal analytic approach. Findings reveal that the task of creating credibility and realities of the protests through images is divided between the verbal and the visual modes. While the visual mode describes the actors, their goals, and the setting of events, the verbal mode serves as the “vocal tool” of the protesters. The interaction of the semiotic elements in these images reveals the demands and frustrations of the EndSARS protesters, and suggests that if the issues of police brutality and injustice are not adequately addressed, the grievances of Nigerians may lead to more violent protests.