Sally Madge: acts of reclamation and renewal between site, studio, archive and gallery

Q1 Arts and Humanities

Journal of Visual Art Practice Pub Date : 2022-07-03 DOI:10.1080/14702029.2022.2108198

Ysanne Holt, Matthew Hearn

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Abstract

ABSTRACT This article arises from a collaboration between an art historian and a curator in forming an exhibition of work by artist Sally Madge, drawn from a long-accumulated collection of artworks and related materials existing in her basement studio, thereafter housed in a storage container on the outskirts of Newcastle upon Tyne in the North of England. The text is located within evolving discourses on both the curatorial and educational ‘turns’ in exhibition making and knowledge production, and perceptions of the gallery as a place of shared social and self-determined generative engagement. Emphasising relational interconnectedness, the curation underlines a border-crossing collapsing of categories and hierarchies. The nature of Madge’s own practice and the liminal sites she worked in throughout her life reflect a parallel artistic, political and ecological concern for creatively crossing and defying borders and boundaries. What emerges is a dialogue between artist, curator and art historian on questions of transformation and re-representation through the relations between site, studio, archive and gallery.

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Sally Madge:场地，工作室，档案馆和画廊之间的开垦和更新行为

本文源于艺术史学家和策展人之间的合作，他们策划了艺术家Sally Madge的作品展览，这些作品来自Sally Madge地下室工作室中长期积累的艺术品和相关材料，之后被安置在英格兰北部泰恩河畔纽卡斯尔郊区的一个存储容器中。文本位于展览制作和知识生产中的策展和教育“转折”的不断发展的话语中，以及画廊作为共享社会和自主生成参与的地方的看法。策展强调了关系的相互联系，强调了类别和等级的跨越边界的崩溃。玛吉自己的实践和她一生中工作的阈限地点的性质反映了创造性地跨越和挑战边界和界限的艺术，政治和生态方面的平行关注。这是艺术家、策展人和艺术史学家之间通过场地、工作室、档案馆和画廊之间的关系，就转型和再呈现问题进行的对话。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Visual Art Practice Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research