Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez (review)

IF 0.5 2区 艺术学 0 FILM, RADIO, TELEVISION
Zizi Li
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引用次数: 0

Abstract

Lori Kido Lopez’s second book, Micro Media Industries: Hmong American Media Innovation in the Diaspora, draws on her multiyear fieldwork from 2012 to 2018 with Hmong American communities in Wisconsin (Appleton, Green Bay, and Milwaukee), California (Fresno), and Minnesota (Minneapolis– St. Paul) to provide an account of Hmong media industries. The Hmong diaspora is constituted in relation to a nonsovereign homeland that is not bounded by a specific nationstate, for Hmong remain an ethnic minority in countries of origin such as Laos, Thailand, Vietnam, and China.1 Hmong Americans face vastly different challenges than diasporic populations originating from and identifying with a nationstate with a strong popular media presence. Lacking a home country of their own limits the scale, power, and available resources of Hmong media. Despite all these difficulties, Hmong Americans have found ways to build and maintain a vibrant media landscape composed almost exclusively of micro media industries and smallscale legacy and new media productions ranging from newspapers to podcasts, from radio shows to social media influencing.
《微媒体产业:旅居海外的苗族美国媒体创新》作者:Lori Kido Lopez
洛里·基多·洛佩兹的第二本书,微媒体产业:苗族美国媒体创新在侨民,借鉴了她多年的田野调查从2012年到2018年与苗族美国社区在威斯康星州(阿普尔顿,绿湾和密尔沃基),加利福尼亚州(弗雷斯诺)和明尼苏达州(明尼阿波利斯-圣保罗)提供苗族媒体产业的帐户。散居海外的苗族人与一个不受特定民族国家限制的非主权家园有关,因为苗族人仍然是老挝、泰国、越南和中国等原籍国的少数民族。1苗族美国人面临的挑战与来自一个强大的大众媒体存在的民族国家的散居人口截然不同。苗族媒体缺乏自己的祖国,这限制了苗族媒体的规模、力量和可利用的资源。尽管有这些困难,苗族美国人已经找到了建立和维持一个充满活力的媒体景观的方法,这个景观几乎完全由微媒体行业和小规模的传统和新媒体产品组成,从报纸到播客,从广播节目到社交媒体影响力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
JCMS-Journal of Cinema and Media Studies
JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-
CiteScore
1.20
自引率
0.00%
发文量
39
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