{"title":"Doing Away With Borders: Jornal de Borda Goes Beyond the Frontiers of Art","authors":"Fernanda Grigolin, Mirna Wabi-Sabi","doi":"10.21814/vista.4014","DOIUrl":null,"url":null,"abstract":"Artists' publications are often used in contemporary art studies in discussions about the printed page. However, these publications go beyond their nomenclatures and place in art institutions. The boundaries of visual arts are increasingly blurred, and discussions of works of art become more potent when viewed within the broader spectrum of visual culture. Aesthetics have the power to produce knowledge and establish relations with ways of living and being in the world and throughout history. Publications, as such, are social places that can mediate these relationships between people, especially when it involves issues like feminism, capitalism, and decoloniality. The Jornal de Borda — an anarchist visual culture newspaper circulated in Latin America in Portuguese and Spanish between 2015 and 2021 — is an example of artistic expression through printing. It strategizes the name of dissenting bodies — referred to as “corpas” — in the context of art within visual culture; it establishes relations between these bodies and anarchism within the Latin American context; and the aesthetic relates directly to other newspapers from the last century, such as A Plebe, honoring history as it makes history.","PeriodicalId":40878,"journal":{"name":"Ri Vista-Ricerche per la Progettazione del Paesaggio","volume":"17 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ri Vista-Ricerche per la Progettazione del Paesaggio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21814/vista.4014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
Artists' publications are often used in contemporary art studies in discussions about the printed page. However, these publications go beyond their nomenclatures and place in art institutions. The boundaries of visual arts are increasingly blurred, and discussions of works of art become more potent when viewed within the broader spectrum of visual culture. Aesthetics have the power to produce knowledge and establish relations with ways of living and being in the world and throughout history. Publications, as such, are social places that can mediate these relationships between people, especially when it involves issues like feminism, capitalism, and decoloniality. The Jornal de Borda — an anarchist visual culture newspaper circulated in Latin America in Portuguese and Spanish between 2015 and 2021 — is an example of artistic expression through printing. It strategizes the name of dissenting bodies — referred to as “corpas” — in the context of art within visual culture; it establishes relations between these bodies and anarchism within the Latin American context; and the aesthetic relates directly to other newspapers from the last century, such as A Plebe, honoring history as it makes history.
艺术家的出版物经常被用于当代艺术研究中关于印刷页面的讨论。然而,这些出版物超越了它们的命名和艺术机构的位置。视觉艺术的界限越来越模糊,在更广泛的视觉文化范围内,对艺术作品的讨论变得更加有力。美学有能力产生知识,并与世界上和历史上的生活方式和存在方式建立关系。就其本身而言,出版物是可以调解人与人之间关系的社交场所,特别是当它涉及到女权主义、资本主义和去殖民化等问题时。2015年至2021年在拉丁美洲以葡萄牙语和西班牙语发行的无政府主义视觉文化报纸《Jornal de Borda》就是通过印刷进行艺术表达的例子。在视觉文化的艺术背景下,它将持不同意见的团体(被称为“corpas”)的名称策略化;它建立了这些机构与拉丁美洲范围内的无政府主义之间的关系;这种审美与上世纪的其他报纸直接相关,比如《平民报》(A Plebe),它在创造历史的同时也尊重历史。