What do aesthetic affordances afford?

IF 0.2 0 PHILOSOPHY
Carlos Vara Sánchez
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引用次数: 0

Abstract

This paper explores various notions of aesthetic affordance recently developed through embodied, situated and enactive approaches to aesthetic experience by Maria Brincker and Shaun Gallagher, and the similarities and differences between them and the idea of affective affordance put forward by Joel Krueger and Giovanna Colombetti. This discussion is a way to try to offer some answers to the question of what aesthetic affordances particularly afford compared to affective affordances. I will focus on the affordances that we perceive during various aesthetic experiences in which we find ourselves more moved by the object, event or person(s) causing the experience than we had anticipated. I will argue that these experiences emerge as opportunities to carry out an active exploration of aspects of the narrative self that we feel is related to features of the experience; and that one particular brain network likely to be involved in these experiences – i.e. the default network – might help us to understand how these experiences meaningfully change our relationship with ourselves and with the social context of which we are a part.
审美负担能提供什么?
本文探讨了Maria Brincker和Shaun Gallagher最近通过对审美经验的具象化、情境化和行动化的研究方法发展起来的各种审美提供性概念,以及它们与Joel Krueger和Giovanna Colombetti提出的情感提供性概念的异同。这个讨论是一种尝试提供一些答案的方式,来回答美学上的可得性与情感上的可得性相比有什么特别的可得性。我将重点关注我们在各种审美体验中感知到的启示,在这些体验中,我们发现自己比我们预期的更容易被引起这种体验的物体、事件或人所感动。我认为这些经历是积极探索叙事自我方面的机会我们认为这些方面与经历的特征有关;有一个特定的大脑网络可能与这些经历有关——即默认网络——可能会帮助我们理解这些经历是如何有意义地改变我们与自己的关系,以及我们与所处的社会环境的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
38
审稿时长
15 weeks
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