M. Swalwell, H. Stuckey, Denise de Vries, Cynde Moya, Candice Cranmer, Sharon Frost, A. Goddard, Steven Miller, Carolyn Murphy, Nick Richardson
{"title":"Archiving Australian Media Arts: A Project Overview","authors":"M. Swalwell, H. Stuckey, Denise de Vries, Cynde Moya, Candice Cranmer, Sharon Frost, A. Goddard, Steven Miller, Carolyn Murphy, Nick Richardson","doi":"10.1515/pdtc-2022-0026","DOIUrl":null,"url":null,"abstract":"Abstract This article presents an overview of the ARC Linkage Project “Archiving Australian Media Arts: Towards a method and a national collection,” which addresses the challenges of preserving digital media artworks that are stored on obsolete media and that require legacy computer environments to access. It lays out the challenges facing digital media arts, articulates the significance of the deposit of local media art organisation archives into the custody of major, jurisdictionally-appropriate cultural institutions, and details the selection of case studies for research from these organisations’ archives and other existing digital media art collections in our partner organisations’ custody. Case studies consist of the ANAT archive (formerly the Australian Network for Art and Technology), floppy disks from the Stan Ostoja-Kotkowski archive, Experimenta Media Art’s exhibition “Virtualities” (1995), dLux media art’s exhibition “Matinaze 97” (1997), and the Griffith University Art Museum’s collection of interactive CD-ROMs. The article reports on progress to date against two of the project’s aims, outlines the collective benefits to partners and to researchers of artworks and other materials from these archives being available, and indicates that access to born digital materials should improve in the near future with digital emulation infrastructure set to be built.","PeriodicalId":38353,"journal":{"name":"Preservation, Digital Technology and Culture","volume":"19 1","pages":"155 - 166"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Preservation, Digital Technology and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/pdtc-2022-0026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This article presents an overview of the ARC Linkage Project “Archiving Australian Media Arts: Towards a method and a national collection,” which addresses the challenges of preserving digital media artworks that are stored on obsolete media and that require legacy computer environments to access. It lays out the challenges facing digital media arts, articulates the significance of the deposit of local media art organisation archives into the custody of major, jurisdictionally-appropriate cultural institutions, and details the selection of case studies for research from these organisations’ archives and other existing digital media art collections in our partner organisations’ custody. Case studies consist of the ANAT archive (formerly the Australian Network for Art and Technology), floppy disks from the Stan Ostoja-Kotkowski archive, Experimenta Media Art’s exhibition “Virtualities” (1995), dLux media art’s exhibition “Matinaze 97” (1997), and the Griffith University Art Museum’s collection of interactive CD-ROMs. The article reports on progress to date against two of the project’s aims, outlines the collective benefits to partners and to researchers of artworks and other materials from these archives being available, and indicates that access to born digital materials should improve in the near future with digital emulation infrastructure set to be built.
本文概述了ARC联动项目“澳大利亚媒体艺术存档:走向一种方法和国家收藏”,该项目解决了保存存储在过时媒体上的数字媒体艺术品的挑战,这些艺术品需要传统的计算机环境才能访问。它阐述了数字媒体艺术面临的挑战,阐明了将本地媒体艺术机构的档案存放在主要的、司法管辖范围合适的文化机构保管的重要性,并详细介绍了从这些机构的档案和其他由我们的合作机构保管的现有数字媒体艺术收藏品中选择的案例研究。案例研究包括ANAT档案(前身为澳大利亚艺术与技术网络),来自Stan Ostoja-Kotkowski档案的软盘,Experimenta Media Art的展览“Virtualities”(1995),lux Media Art的展览“Matinaze 97”(1997),以及格里菲斯大学艺术博物馆的交互式cd - rom收藏。本文报告了迄今为止该项目的两个目标的进展,概述了合作伙伴和研究人员从这些档案中获得的艺术品和其他材料的集体利益,并指出在不久的将来,随着数字仿真基础设施的建立,对原生数字材料的访问将得到改善。