Contemporary Literary Criticism: The Challenges of Democratisation

Q3 Arts and Humanities
Colloquia Pub Date : 2023-07-24 DOI:10.51554/coll.23.51.03
Dalia Satkauskytė
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引用次数: 0

Abstract

The aim of this article is to discuss the forms of contemporary Lithuanian literary criticism in the context of more general cultural processes. The current situation, which still tends to be described as crisis, is brought about not only by the structure of the national literary field, the specifics of its historical development, or the local cultural policy, but also by universal factors, such as the epistemic, social, and institutional uncertainty that characterises professional literary criticism in general, and the so-called democratisation of culture, which has been accelerated by the emergence of social networks. The latter provide an opportunity for everyone to express their value judgements, disrupting the established hierarchies of critical evaluation and deepening the crisis of authority. This factor together with the meritocratic model that has taken root in the media, along with the commercialisation of publishing policy creates the conditions for the emergence of new ways of talking about literature, or what is known as ‘non-professional literary criticism’. Drawing on theory of New Formalism, I discuss the main types of professional and non-professional literary criticism, and their affordances, which foresees the social and cultural uses of literary criticism.
当代文学批评:民主化的挑战
本文的目的是在更普遍的文化进程的背景下讨论当代立陶宛文学批评的形式。目前的情况仍然倾向于被描述为危机,这不仅是由国家文学领域的结构,其历史发展的特殊性,或当地的文化政策造成的,而且是由普遍的因素造成的,例如一般专业文学批评所特有的认知,社会和制度的不确定性,以及所谓的文化民主化,这已经被社会网络的出现加速了。后者为每个人提供了表达自己价值判断的机会,打破了既定的批判性评价等级制度,加深了权威危机。这一因素加上在媒体中扎根的精英模式,以及出版政策的商业化,为讨论文学的新方式或所谓的“非专业文学批评”的出现创造了条件。根据新形式主义理论,我讨论了专业和非专业文学批评的主要类型及其启示,从而预见了文学批评的社会和文化用途。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Colloquia
Colloquia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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0.00%
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