Integration Processes in Modern Design and Art Culture

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
T. Poydina, S. Pomorov
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引用次数: 0

Abstract

The paper is to comprehend the experience of design and artistic shaping in environmental design as an integral phenomenon. Artistic and synthetic foundations of design practices, where figurative-content and spatial-plastic connections are given a central place, determine the vector of design research in a holistic relationship with spatial and plastic arts. The authors consider the integration processes in project culture using the example of environmental design. The paper outlines modern approaches to art and design organization of space, where axiologically-oriented design thinking of a designer and understanding of the continuity of artistic traditions in shaping the spatial environment are of critical value. In this context, a new quality is given to the natural conformity and the place of conformity of design solutions, taking into account architectural asset of the area and architectural environmental scenario. The study demonstrates that design and artistic integration processes represent a new and complex design synthesis, determining integrity of the environment and aesthetic shaping. The design and artistic synthesis allows expressing the concepts, values, creative intentions and perceptual actions of the designer and establishing connections with historical and cultural reality which enables us to consider the definition of “project-artistic synthesis” as a holistically structured system in the existence of project culture.
现代设计与艺术文化的融合过程
本文旨在将环境设计中的设计体验与艺术塑造作为一个整体现象来理解。设计实践的艺术和综合基础,其中形象内容和空间塑性联系被赋予了中心位置,决定了设计研究与空间和造型艺术的整体关系的向量。作者以环境设计为例,探讨了项目文化中的整合过程。本文概述了艺术和空间设计组织的现代方法,其中设计师的价值论导向的设计思维和对塑造空间环境的艺术传统连续性的理解具有关键价值。在这种背景下,考虑到该地区的建筑资产和建筑环境情景,设计方案的自然一致性和一致性被赋予了新的品质。研究表明,设计与艺术的融合过程代表了一种新的、复杂的设计综合,决定了环境的完整性和审美塑造。设计与艺术的综合可以表达设计者的理念、价值、创作意图和感性行为,并与历史文化现实建立联系,使我们能够将“项目-艺术综合”的定义视为一个整体结构系统,在项目文化的存在中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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