{"title":"The role of radiation damping in violin sound","authors":"G. Bissinger","doi":"10.1121/1.1675811","DOIUrl":null,"url":null,"abstract":"A generalized model combining experimental normal mode radiation efficiency and total damping trendlines and structural acoustics systematics was developed to examine violin quality-related trends in radiation damping ζrad and fraction-of-vibrational-energy-radiated FRAD up to 8 kHz. FRAD was similar for “good” and “bad” violins. ζrad and FRAD exhibit a “knee” at the critical frequency, where FRAD reached its maximum value of ∼0.5. The critical frequency falls significantly lower for “good” than “bad” violins (3-violin samples for each), which imparts a relative enhancement to acoustic output near 3 kHz for “good” violins, independent of any bridge contribution or excitation method.","PeriodicalId":87384,"journal":{"name":"Acoustics research letters online : ARLO","volume":"94 1","pages":"82-87"},"PeriodicalIF":0.0000,"publicationDate":"2004-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"12","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acoustics research letters online : ARLO","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1121/1.1675811","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 12
Abstract
A generalized model combining experimental normal mode radiation efficiency and total damping trendlines and structural acoustics systematics was developed to examine violin quality-related trends in radiation damping ζrad and fraction-of-vibrational-energy-radiated FRAD up to 8 kHz. FRAD was similar for “good” and “bad” violins. ζrad and FRAD exhibit a “knee” at the critical frequency, where FRAD reached its maximum value of ∼0.5. The critical frequency falls significantly lower for “good” than “bad” violins (3-violin samples for each), which imparts a relative enhancement to acoustic output near 3 kHz for “good” violins, independent of any bridge contribution or excitation method.