EXAMINING THE COMPONENT OF TRUTH IN ART BASED ON MULLA ṢADRĀ’S OPINIONS

M. Amini, M. Akhoondi
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Abstract

How can the presence of truth in art be philosophically justified? A fundamental question that can be answered in the wisdom of Mullā Ṣadrā, one of the most important philosophers of Islam. The importance of the question of the relationship between art and truth arises from the state of art in the present era. In fact, the degradation of reason in front of feeling from the nineteenth century until today has made the field of arts devoid of any representation of the truth and caused the importance and originality of finding pleasure or evoking feelings in the arts. Therefore, with a philosophical approach and relying on the descriptive-analytical method, at first, it described the fundamental of truth and delusion, the unity of the world, and the known, practical reason and the function of imagination in shaping intellectual concepts based on Mullā Ṣadrā’s views, and then with relying on those principles, he has examined the formation of truth-based works of art. The most important conclusion of the article is that art is not the only product of the feelings and taste of its creator; Rather, the artist, in his understanding of the truth, prepares the ground for its manifestation in the work of art. With this characteristic, art finds a form of rational knowledge, and symbolic and mystical arts are among the most important examples of this type of artistic creation.
从毛拉ṢadrĀ的观点看艺术中的真理成分
艺术中真理的存在如何在哲学上得到证明?这个基本问题可以用伊斯兰教最重要的哲学家之一Mullā Ṣadrā的智慧来回答。艺术与真理的关系问题的重要性源于当代艺术的状态。事实上,从19世纪到今天,理性在情感面前的堕落,使艺术领域缺乏对真理的任何表现,并导致了在艺术中寻找快乐或唤起情感的重要性和独创性。因此,它首先以哲学的方式,依靠描述分析的方法,描述了真理与错觉的基础,世界的统一,以及已知的、实践的理性和想象力在形成知识概念方面的作用,然后依靠这些原则,他研究了基于真理的艺术作品的形成。Ṣadrā这篇文章最重要的结论是,艺术不是其创造者的感觉和品味的唯一产物;相反,艺术家在他对真理的理解中,为它在艺术作品中的表现奠定了基础。有了这个特点,艺术找到了一种理性知识的形式,象征艺术和神秘艺术是这类艺术创作的最重要的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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