The buzzer: not just a toy

Q3 Arts and Humanities
G. Shagapova
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Abstract

The article analyzes the buzzer toy for boys. It is very easy to make from a button with a rope passing through the two holes. In past times, it was made of wood, bone plate, leather. When the rope with the plate is twisted and sharply released, the toys make a specific sound. The name of the toy in many languages reflects its buzzing. The aim of this work is to study the geography of the buzzer game in the Old and New Worlds and to reconstruct the ritual that underlies the game. The main research methods are mapping and comparative-historical method. The source base is represented by published materials on the games of the peoples of the world, as well as the author's field materials from the Southern Urals. The following conclusions have been drawn: the toy is most commonly young male, all-season, and is associated with sound. Sound in archaic culture played an important role; it limits and structures space, establishes contacts between the worlds and protects a person from evil spirits. In most cases, the buzzer has lost its sacred meaning, but among the peoples of the North, Sibe-ria, and the Far East, the elements of the ritual are still tangible which makes it possible to reconstruct the male ritual. The ritual was aimed at weather change, and at influencing the existing state of affairs. The geography of the buzzer distribution in North America and Eurasia has been studied. It can be assumed that it came to the New World from Eurasia, shortly before the disappearance of Beringia. The agreement of details and specifics of its use suggest its connection with the ritual. Subsequently, the ritual spread together with tribes and cultures, and to date, all that has remained from the millennial ritual is just a noise toy in children’s hands.
蜂鸣器:不只是一个玩具
本文分析了男用蜂鸣器玩具。用一根绳子穿过两个孔,用纽扣制作很容易。在过去,它是由木头、骨板、皮革制成的。当带板的绳子被扭曲并迅速释放时,玩具会发出特定的声音。这种玩具在许多语言中的名字反映了它的嗡嗡声。这项工作的目的是研究蜂鸣器游戏在旧世界和新世界的地理位置,并重建游戏背后的仪式。主要的研究方法有制图法和比较历史法。来源基础是由世界各国人民的游戏出版材料,以及作者在乌拉尔南部的实地材料代表。得出以下结论:该玩具最常见的是年轻的雄性,一年四季都有,并且与声音有关。声音在古代文化中发挥了重要作用;它限制和构造空间,建立世界之间的联系,保护一个人免受恶灵的伤害。在大多数情况下,蜂鸣器已经失去了它的神圣意义,但在北方、西伯利亚和远东的民族中,仪式的元素仍然是有形的,这使得重建男性仪式成为可能。这个仪式的目的是为了改变天气,影响现有的事态。研究了北美洲和欧亚大陆蜂鸣器分布的地理特征。可以假定它是在白令陆桥消失前不久从欧亚大陆来到新大陆的。其使用的细节和细节的一致表明它与仪式的联系。随后,这种仪式随着部落和文化一起传播开来,到目前为止,千年仪式遗留下来的只是孩子们手中的一个噪音玩具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Vestnik Archeologii, Antropologii i Etnografii
Vestnik Archeologii, Antropologii i Etnografii Arts and Humanities-Archeology (arts and humanities)
CiteScore
0.70
自引率
0.00%
发文量
60
审稿时长
16 weeks
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