The iterative and improvisational nature of the creative process

R. Keith Sawyer
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引用次数: 10

Abstract

The creative process has often been conceived as a linear process that begins with preparation; is followed by incubation, during which one or many insights occur; then a selection stage where one of the insights is chosen as most promising; followed by an elaboration or execution of the selected insight. This paper argues that this linear view is inconsistent with conceptions of creativity in a community of creators: Artists and designers who teach in professional schools of art and design. These instructors, professional creatives themselves, teach a creative process that is nonlinear, iterative, and improvisational. To support this claim, the paper reports findings from a multi-year study of the pedagogical beliefs of the instructors and the practices they use in studio classes. The analysis results in eight characteristics of the pedagogy used and the creative process taught by these instructors: Iteration; ambiguity; exploration; emergence; failure; deliberation; reflection; and constraint.

创作过程的迭代性和即兴性
创意过程通常被认为是从准备开始的线性过程;随后是孵化,在此期间出现一个或多个见解;然后是一个选择阶段,其中一个见解被选为最有前途的;接着是对选定的见解的阐述或执行。本文认为,这种线性观点与创作者社区的创造力概念不一致:在艺术和设计专业学校任教的艺术家和设计师。这些教师本身就是专业的创意人员,他们教授的是一个非线性的、迭代的、即兴的创意过程。为了支持这一说法,论文报告了一项对教师的教学信念和他们在工作室课堂上使用的实践进行的多年研究的结果。分析得出了这些教师所使用的教学法和所教授的创造性过程的八个特征:迭代;模棱两可;勘查;出现;失败;深思熟虑;反射;和约束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
2.10
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