A peripheral vision?

Q1 Arts and Humanities

Journal of Visual Art Practice Pub Date : 2021-10-02 DOI:10.1080/14702029.2021.1984690

I. Biggs

引用次数: 0

Abstract

ABSTRACT This article reflects on the founding of the Journal of Visual Art Practice in 2001, as written from the perspective of the journal’s inaugural editor. The article provides a brief overview of the history and context to the development of the journal, which includes the role of the National Association for Fine Art Education, a prior, associated publication, Drawing Fire, and also, critically, the outcomes of the Jarratt Report (1985) in the UK, which led to the framing of art practice as ‘research’, and inclusion in national research audits. The article considers some of inner tensions at stake in establishing the journal and outlines the hopes for the journal as considered in its early years. It concludes with questions regarding the future of the journal as something, in the words of Bruno Latour, which might ‘cherish a maximum of alternative ways of belonging to the world’.

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周边视觉?

本文以《视觉艺术实践》杂志创刊编辑的视角，对2001年创刊历程进行反思。本文简要概述了该杂志发展的历史和背景，其中包括全国美术教育协会的作用，先前的联合出版物，Drawing Fire，以及重要的是，英国Jarratt报告(1985)的结果，该报告将艺术实践作为“研究”的框架，并纳入国家研究审计。文章考虑了一些内部紧张关系在建立期刊的利害关系，并概述了期刊的希望，在它的早期考虑。它以关于期刊未来的问题作为结尾，用布鲁诺·拉图尔的话来说，这可能“珍惜最大限度的属于世界的替代方式”。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Visual Art Practice Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research