Freud and Jentsch read Hoffmann’s Uncanny Automata

IF 0.1 0 LANGUAGE & LINGUISTICS
K. Spassova
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引用次数: 0

Abstract

The following paper examines the elaboration of the concept of uncanny between literature and psychoanalysis. In shaping the concept, both Ernst Jentsch in “On the Psychology of the Uncanny” (1906) and Sigmund Freud in “The Uncanny” (1919) carefully read Hoffmann’s fantastic stories of automata. While Freud develops his theory of the uncanny (concerning the automatism of unconscious repetition) by reading “The Sandman”, Jentsch dwells on “Automata” in his approach on intellectual uncertainty. In this paper I also discuss anthropomorphic machines and the idea of uncanny valley in robotics, concluding that the notion of uncanny always involves negative anagnorisis, or misrecognition between inside/outside; human/automaton; animate/inanimate.
弗洛伊德和詹奇读了霍夫曼的《不可思议的自动机》
下面的文章探讨了文学和精神分析之间神秘概念的阐述。在形成这个概念的过程中,恩斯特·扬施(Ernst Jentsch)在《论不可思议的心理学》(1906)和西格蒙德·弗洛伊德(Sigmund Freud)在《不可思议》(1919)中仔细阅读了霍夫曼关于自动机的奇妙故事。当弗洛伊德通过阅读《睡魔》发展了他的神秘理论(关于无意识重复的自动行为)时,Jentsch在他对智力不确定性的研究中详述了“自动机”。在本文中,我还讨论了拟人化机器和机器人中的恐怖谷概念,得出的结论是,恐怖的概念总是涉及负面的anagnorisis,或内部/外部之间的错误识别;人类/自动机;动画/无生命的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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