Lo jurodivyj in Nostalghia. Genesi ed evoluzione di Domenico nella sceneggiatura di Tarkovskij e Guerra

IF 0.1 0 LANGUAGE & LINGUISTICS
C. Matteucci
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引用次数: 0

Abstract

This article aims to analyze the evolution of Domenico’s character in the different versions of Nostalghia’s script, written by Andrei Tarkovsky and Tonino Guerra. By comparing the director’s diaries with the twelve original typescripts kept in the Tarkovsky’s archive, it is possible to trace the origin and the evolution of the character, which has some similarities with the holy fool of Russian tradition. In the first versions of the script, in which the character is still vague and undefined, there are some quotes from Dostoevsky’s works that refer to the theme of madness. These references disappear in the latest versions, when Domenico begins to acquire more importance in the narrative and often expresses himself about madness with quotes from Guerra’s works.
怀旧的jurodivyj。多梅尼科在塔科夫斯基和格拉的剧本中的起源和进化
本文旨在分析安德烈·塔可夫斯基和托尼诺·格拉撰写的《乡情》剧本的不同版本中多梅尼科的性格演变。通过将导演的日记与塔可夫斯基档案馆保存的12份原始打字稿进行比较,可以追溯这个角色的起源和演变,这个角色与俄罗斯传统的神圣傻瓜有一些相似之处。在剧本的第一个版本中,角色仍然是模糊和不明确的,有一些引用陀思妥耶夫斯基的作品,提到了疯狂的主题。这些引用在最新的版本中消失了,当多梅尼科开始在叙述中获得更多的重要性时,他经常引用格拉的作品来表达自己对疯狂的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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