Psychosocial aesthetics and the art of lived experience

IF 0.2 Q4 PSYCHOLOGY, MULTIDISCIPLINARY
J. Bennett, L. Froggett, Lizzie Muller
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引用次数: 7

Abstract

This article identifies the distinctive nature of arts-based psychosocial enquiry and practice in a public mental health context, focusing on two projects delivered as part of The Big Anxiety festival, in Sydney, Australia in 2017: ‘Awkward Conversations’, in which one-to-one conversations about anxiety and mental health were offered in experimental aesthetic formats; and ‘Parragirls Past, Present’, a reparative project, culminating in an immersive film production that explored the enduring effects of institutional abuse and trauma and the ways in which traumatic experiences can be refigured to transform their emotional resonance and meaning. Bringing an arts-based enquiry into lived experience into dialogue with psychosocial theory, this article examines the transformative potential of aesthetic transactions and facilitating environments, specifically with regard to understanding the imbrication of lived experience and social settings.
社会心理美学和生活经验的艺术
本文确定了在公共心理健康背景下基于艺术的社会心理咨询和实践的独特性质,重点关注2017年澳大利亚悉尼大焦虑节的两个项目:“尴尬对话”,其中以实验美学形式提供关于焦虑和心理健康的一对一对话;“Parragirls Past, Present”,这是一个修复项目,最终以一部沉浸式的电影制作而告终,探索了机构虐待和创伤的持久影响,以及创伤经历可以重新塑造以改变其情感共鸣和意义的方式。将以艺术为基础的对生活经验的探究与社会心理理论进行对话,本文探讨了审美交易和促进环境的变革潜力,特别是在理解生活经验和社会环境的混合方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.90
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0.00%
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