{"title":"Book review: Jodi Kantor and Megan Twohey, She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement","authors":"Jenny Korkodeilou","doi":"10.1177/17416590231155337","DOIUrl":null,"url":null,"abstract":"further jailbreaks and riots, and sustained efforts to connect political struggle within the jail to those in the streets of New York and around the world. As a history of New York City narrated through the dizzying expansion of its jail system over the last 70 years, Captives at once draws on and partakes in these disparate traditions of research within and on the jail. Shanahan thoughtfully counterposes the city’s official archives with the literature and testimony of the captives who moved through Rikers to unflinchingly expose the brutality of New York’s jails. However, Captives does not simply condemn the jails on humanitarian grounds. In contrast to those who, horrified by the grim conditions at Rikers, have sought to “improve” carceral infrastructures, Shanahan’s critical appraisal of the material conditions of the jails undermines the reformist position by showing how, for the better part of a century, “reform” has simply meant bigger budgets to lock up more people. Most importantly, though, Captives offers ample material for thinking about the relationship of study and struggle for the diverse activists and organizers steadily gathering under the “abolition” big tent in the wake of the 2020 George Floyd Rebellions. In conversation with the tradition of militant prisoners who learned from inside of the jail to get beyond it, Captives takes its place alongside the archive of prison literature it draws on as a model for the kind of study we must undertake for our present struggle against prisons, policing, and the capitalist order that they uphold.","PeriodicalId":46658,"journal":{"name":"Crime Media Culture","volume":"33 1","pages":"316 - 319"},"PeriodicalIF":1.7000,"publicationDate":"2023-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"12","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Crime Media Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/17416590231155337","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CRIMINOLOGY & PENOLOGY","Score":null,"Total":0}
引用次数: 12
Abstract
further jailbreaks and riots, and sustained efforts to connect political struggle within the jail to those in the streets of New York and around the world. As a history of New York City narrated through the dizzying expansion of its jail system over the last 70 years, Captives at once draws on and partakes in these disparate traditions of research within and on the jail. Shanahan thoughtfully counterposes the city’s official archives with the literature and testimony of the captives who moved through Rikers to unflinchingly expose the brutality of New York’s jails. However, Captives does not simply condemn the jails on humanitarian grounds. In contrast to those who, horrified by the grim conditions at Rikers, have sought to “improve” carceral infrastructures, Shanahan’s critical appraisal of the material conditions of the jails undermines the reformist position by showing how, for the better part of a century, “reform” has simply meant bigger budgets to lock up more people. Most importantly, though, Captives offers ample material for thinking about the relationship of study and struggle for the diverse activists and organizers steadily gathering under the “abolition” big tent in the wake of the 2020 George Floyd Rebellions. In conversation with the tradition of militant prisoners who learned from inside of the jail to get beyond it, Captives takes its place alongside the archive of prison literature it draws on as a model for the kind of study we must undertake for our present struggle against prisons, policing, and the capitalist order that they uphold.
期刊介绍:
Crime, Media, Culture is a fully peer reviewed, international journal providing the primary vehicle for exchange between scholars who are working at the intersections of criminological and cultural inquiry. It promotes a broad cross-disciplinary understanding of the relationship between crime, criminal justice, media and culture. The journal invites papers in three broad substantive areas: * The relationship between crime, criminal justice and media forms * The relationship between criminal justice and cultural dynamics * The intersections of crime, criminal justice, media forms and cultural dynamics