Cinema and the Arts: Reassessing Theodor Adorno’s Late Work

Q2 Social Sciences

Novos Estudos CEBRAP Pub Date : 2022-08-01 DOI:10.25091/s01013300202200020009

Raquel Henriques da Silva

引用次数: 0

Abstract

This paper starts from a revision of Adorno’s late work, in particular his remarks on cinema, published in the 1960s. Our hypothesis is that cinema acquires relevance in Adorno’s late work not only through a shift in his position regarding that medium itself, but rather due to a broader transformation in his aesthetic position, encompassing a distinct view on the procedures of modern art and the complex relations between the different artistic genres.

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电影与艺术:重新评价阿多诺的晚期作品

本文从对阿多诺后期作品的修订开始，特别是他在20世纪60年代发表的关于电影的评论。我们的假设是，电影在阿多诺的晚期作品中获得相关性，不仅是因为他对媒介本身的立场发生了转变，而是因为他的美学立场发生了更广泛的转变，包括对现代艺术过程和不同艺术类型之间复杂关系的独特看法。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Novos Estudos CEBRAP Social Sciences-Social Sciences (all)

CiteScore

0.60

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Novos Estudos Cebrap to publish original contributions in Sociology, Politics, Anthropology and Humanities. The goal of the journal is to publish relevant studies and to present contributions to the intellectual debate in a wide variety of subjects, from art criticism to the implementation of economic and social polices. Its abbreviated title is Novos estud. - CEBRAP, which should be used in bibliographies, footnotes and bibliographical references and strips.