Screen Stories, Ethics, and Practical Reason

M. Turvey
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Abstract

This article questions the priority that Carl Plantinga accords to the viewer’s emotions in his theory of the rhetorical power of screen stories, and makes the case that reason, in the sense of practical reasoning, plays just as important a role as emotion in our ethical response to such fictions. Practical reasoning is the form of reasoning concerned with the actions of agents and what they should do in specific situations. The protagonists of screen stories often engage in practical reasoning, articulating and deliberating about the reasons for their actions, and secondary characters around them regularly question their reasons. In this way, these stories prompt us to understand and question their reasons too and thereby to engage in practical reasoning, a species of which is moral reasoning. Screen stories also often stage a confrontation between divergent ethical perspectives and ask audiences to reflect about which one is more morally compelling.
电影故事、伦理和实践理性
本文质疑卡尔·普兰廷加在他的电影故事修辞力量理论中给予观众情感的优先权,并提出理由,在实践推理的意义上,在我们对这些小说的道德反应中扮演着与情感同样重要的角色。实践推理是一种关于行为主体的行为以及他们在特定情况下应该做什么的推理形式。银幕故事的主角通常会进行实际推理,阐述和思考他们行动的原因,而他们周围的次要角色则会经常质疑他们的原因。通过这种方式,这些故事也促使我们理解和质疑它们的理由,从而参与实际推理,其中一种是道德推理。电影故事也经常在不同的道德观点之间上演对抗,并要求观众反思哪一个在道德上更有说服力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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