Callimachean Tradition and the Muse’s Hymn to Ceres (Ov. Met. 5.341–661)

IF 0.7 1区历史学 0 CLASSICS

Transactions of the American Philological Association Pub Date : 2012-05-10 DOI:10.1353/APA.2012.0002

C. Sampson

引用次数: 3

Abstract

This paper supplements the work of Hinds 1987 by arguing thatthe Sicilian setting for the abduction of Proserpina inMetamorphoses5 marks Ovid’s engagement with Callimachean style and poetic tradition, and that the influence of Hellenistic works (especially the Aetia) on this passage is richer and more complex than has been acknowledged. I aim to show in particular how Ovid manipulates the poetic and intellectual background on which he draws, to which end I take recourse to a new Ptolemaic-era papyrus, as well as a reanalysis of the hymn’s structural and thematic cohesion.

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卡利马契传统与缪斯对谷神星的赞美诗。5.341满足。-661)

本文补充了1987年海因兹的作品，认为《变形记》中绑架普罗塞佩娜的西西里背景标志着奥维德与卡利马契风格和诗歌传统的接触，希腊化作品(尤其是《阿提亚》)对这一段落的影响比人们所认识的更丰富、更复杂。我的目的是特别展示奥维德是如何操纵他所描绘的诗歌和知识背景的，为此，我利用了一份新的托勒密时代的莎草纸，并重新分析了赞美诗的结构和主题凝聚力。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Transactions of the American Philological Association CLASSICS-

CiteScore

1.30

自引率

0.00%

发文量

期刊介绍： Transactions of the APA (TAPA) is the official research publication of the American Philological Association. TAPA reflects the wide range and high quality of research currently undertaken by classicists. Highlights of every issue include: The Presidential Address from the previous year"s conference and Paragraphoi a reflection on the material and response to issues raised in the issue.