Mózg jako nowy wszechświat – wokół Incepcji Christophera Nolana

Q4 Arts and Humanities
M. Kowalczyk
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Abstract

The article shows the growing interest of science fiction cinema in the human brain and related concepts, such as mind or consciousness. Nowadays, when distant space travel seems unreachable, artists find the exploration potential of the brain very promising. Thus, the main thesis of this analysis says that the brain has become for science fiction cinema the new universe. An excellent example of this paradigm shift is Inception (dir. Christopher Nolan, 2010). In the movie, the mind is depicted as a physical and accessible place, where we can find a lot of mysteries to solve. The characters travel to the deepest parts of subconsciousness because the processes inside the brain are the key to understanding and changing the real world. The article also shows how the director uses the achievements of science fiction cinema and, at the same time, that he postulates a new way of considering the issues relevant to modern neuroscience.
这篇文章表明,科幻电影对人类大脑和相关概念(如心灵或意识)的兴趣日益浓厚。如今,当遥远的太空旅行似乎遥不可及时,艺术家们发现大脑的探索潜力非常有希望。因此,这一分析的主要论点是,大脑已经成为科幻电影的新宇宙。这种范式转变的一个很好的例子是《盗梦空间》。克里斯托弗·诺兰,2010)。在这部电影中,心灵被描绘成一个物理的、可接近的地方,在那里我们可以找到很多谜团来解决。因为大脑内部的过程是理解和改变现实世界的关键,所以角色们进入了潜意识的最深处。这篇文章还展示了导演如何利用科幻电影的成就,同时,他提出了一种考虑现代神经科学相关问题的新方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Images (Poland)
Images (Poland) Arts and Humanities-Visual Arts and Performing Arts
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