A different kind of meantone temperament and a novel mapping from the harmonic series to Pythagorean pitch classes

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
Konstantin L. Gurin
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引用次数: 0

Abstract

The logarithm mapping of natural numbers is a sum of products of coefficients. If these coefficients are arbitrary parameters, a new mapping of natural numbers to some subset of real numbers appears. This mapping preserves some crucial logarithm properties and constructs a new musical sound with a spectrum of inharmonic overtones. The simplest one-parameter mapping to a subset of polynomials with integer coefficients is constructed. The parameter defines a new “perfect fifth” similarly to the meantone temperament. It is an interesting case when the mapping parameter is defined from the linear relation between the new “major third” and the new “perfect fifth.” The most interesting case of a linear relation is the condition of zeroing the syntonic comma. Here, the new meantone temperament, based on the new “perfect fifth,” simultaneously coincides with Pythagorean- and five-limit-like tunings.
一种不同的平均音律和一种从和声级数到毕达哥拉斯音高类的新颖映射
自然数的对数映射是系数乘积的和。如果这些系数是任意参数,则出现自然数到实数子集的新映射。这种映射保留了一些至关重要的对数性质,并构建了一个具有非谐波泛音频谱的新音乐声音。构造了到整数系数多项式子集的最简单的单参数映射。该参数定义了一个新的“完美五度”,类似于平均音律。从新的“大调三度”和新的“完成五度”之间的线性关系来定义映射参数是一个有趣的例子。线性关系中最有趣的例子是将句法逗号归零的条件。在这里,基于新的“完全五度”的新均音律,同时与毕达哥拉斯式和五极限式的调音相吻合。
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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