The Boy in the Text: Mary Barber, Her Son, and Children's Poetry in Poems on Several Occasions

Chantel Lavoie
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Abstract

The Boy in the Text: Mary Barber, Her Son, and Children’s Poetry in Poems on Several Occasions This paper reconsiders the work of Dublin poet Mary Barber, whose collection of poems appeared in 1733/34. There she acknowledges the assistance of Jonathan Swift, and frames her poetry as a pedagogical aid to her children’s education—particularly that of her eldest son, Constantine. Barber’s relationship with Swift has received much critical attention, as has her focus on her own motherhood—sometimes in critiques that suggest both of these hampered the quality and scope of her work. This paper asks readers to look at her poetry as the children’s literature she claimed it was, as well as being crossover literature aimed at more than one generation, published with the hope of the kind of success that Jonathan Swift (and John Gay, and Daniel Defoe) achieved by reaching more than one generation of readers.
文本中的男孩:玛丽·巴伯,她的儿子,以及《若干场合的诗歌》中的儿童诗歌
文本中的男孩:玛丽·巴伯,她的儿子,以及《若干场合的诗歌》中的儿童诗歌本文重新审视了都柏林诗人玛丽·巴伯的作品,她的诗集出版于1733/34年。在书中,她感谢乔纳森·斯威夫特的帮助,并将她的诗歌作为对孩子教育的教学辅助,尤其是她的大儿子康斯坦丁。巴伯和斯威夫特的关系受到了很多批评的关注,就像她对自己母亲身份的关注一样——有时批评认为这两者都影响了她作品的质量和范围。本文要求读者将她的诗歌视为她所声称的儿童文学,以及针对一代人以上的跨界文学,出版时希望获得乔纳森·斯威夫特(以及约翰·盖伊和丹尼尔·笛福)通过吸引一代人以上的读者而取得的那种成功。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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