Questioning Representation: Testimonials, Witness Accounts and Literary Migrant Narratives

Alisha Mathers
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Abstract

This article rethinks contemporary approaches to asylum by examining literary accounts of human displacement to problematise representations and authenticity. A believable testimonial of asylum seekers’ experience is key in the asylum application process and the pursuit of such truth by Europe’s border forces usually entails a celebration of authenticity. Yet, the emphasis on migrant testimonials as the definitive source in understanding the migration ‘crisis’ is deeply problematic. This essay argues that literary representations of displacement are equally valuable in helping us understand contemporary migration. This paper engages with the poetry of two exiled poets, Warsan Shire and Yousif Qasmiyeh, to illustrate the importance of literary accounts of migration, and to demonstrate that the intimate and traumatic stories of the borderline condition should be shared on migrants’ own terms, not by the demands of the European border forces. By drawing on John Coetzee’s The Childhood of Jesus (2013) and its representation of the current approach to human displacement, this paper also explores the role of fiction to 'narrativize' the nuances of migratory experiences.
质疑再现:证言、证人叙述与文学移民叙事
本文通过考察人类流离失所的文学叙述来重新思考当代的庇护方法,以使表征和真实性成为问题。在庇护申请过程中,对寻求庇护者的经历提供可信的证明是关键,而欧洲边境部队对这种真相的追求通常需要对真实性进行庆祝。然而,将移民证言作为理解移民“危机”的决定性来源的强调是有严重问题的。本文认为,流离失所的文学表现在帮助我们理解当代移民方面同样有价值。本文以两位流亡诗人Warsan Shire和Yousif Qasmiyeh的诗歌为例,阐述了移民文学描述的重要性,并证明了边缘状况的亲密和创伤故事应该根据移民自己的条件分享,而不是根据欧洲边境部队的要求。通过借鉴约翰·库切(John Coetzee)的《耶稣的童年》(The Childhood of Jesus, 2013)及其对当前人类流离失所方法的表现,本文还探讨了小说在“叙述”迁徙经历的细微差别方面的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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