Tradurre per comprendere: colpa, pentimento e rinascita in “Semejnoe sčast’e” di Lev Tolstoj e nella traduzione italiana di Clemente Rebora

IF 0.1 0 LANGUAGE & LINGUISTICS
A. Bonola
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Abstract

This essay deals with the issue of guilt, repentance and rebirth in the short novel Semejnoe scast’e ( Family Happiness ) by Lev N. Tolstoy (1859). The author first considers the concepts of ‘offense’ , ‘repentance’ and ‘forgiveness’ through an analysis of the Russian terminology used by Tolstoy for these semantic fields ( obida , dosada , vina , raskajanie , pokajanie ); next, in an analysis of Clemente Rebora’s Italian translation (1920), special attention is paid to the differences from the original text that signal the translator’s interpretive reading, which, at the same time, becomes a tool for understanding it. It is shown how, in the transition from Russian into Italian, semantic shifts and phonetic symbolism add a mystical tension to the original Tolstoyan text which is typical of the poetry of Clemente Rebora.
为包括:翻译,忏悔的错在“复兴Semejnoe sčast’e翻译”(Lev托尔斯泰和意大利克莱门特Rebora
本文探讨列夫·托尔斯泰短篇小说《家庭幸福》(1859)中关于内疚、忏悔和重生的问题。作者首先通过分析托尔斯泰在这些语义领域使用的俄语术语(obida、dosada、vina、raskajanie、pokajanie)来考虑“冒犯”、“忏悔”和“宽恕”的概念;其次,在分析克莱门特·雷博拉(Clemente Rebora)的意大利语译本(1920)时,特别注意了与原文的差异,这些差异标志着译者的解释性阅读,同时也成为理解原文的工具。在从俄语到意大利语的过渡中,语义转换和语音象征如何给托尔斯泰的原著增添了一种神秘的张力,这是克莱门特·雷博拉诗歌的典型特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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