LA INTIMIDAD EN EL CINE DE NO FICCIÓN: UN’ORA SOLA TI VORREI, DE ALINA MARAZZI

Abstract

Abstract: Documentaries have experienced, since the late Twentieth Century, an important subjunctive change becoming a perfect space for the narrative and visual experimentation in order to show intimacy. From this premise, we want to demonstrate that this change has an evident consequence: there is a new me which builds a story around itself and that, besides, in the case of the film speech built by women, this (her) self hasspecial features to take into account.