Non temere sed iudicio. Prozesse der Urteilsfindung in und um Thomas Morus’ Utopia

Q1 Arts and Humanities
Katharina-Maria Schön
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引用次数: 0

Abstract

This article sheds light on the term iudicium (“judgment”) and its use in Thomas More’s Utopia. The methodological approach comprises a lexicographic examination of iudicium and semantically related terms, which serves as a basis for the subsequent close reading of core passages of Utopia. The chosen extracts are indicative of a meticulously calibrated game that the English humanist engages in: thematic bipolarities between books one and two generate fields of tension, in which processes of judgment emerge as vital catalysts to transport innovative ideas, which call for changes of the juridical status quo as well as the prevailing corruption of values in contemporary England. The concluding examination of the paratexts surrounding Utopia (i.e. letters of the author to his humanist friends) and their thematization of iudicium contribute an additional layer to the literary‑aesthetic understanding and the intended reception of this epochal work
本文阐明了iudicium(“判断”)一词及其在托马斯·莫尔的《乌托邦》中的用法。方法论方法包括对词汇和语义相关术语的词典检查,这是随后仔细阅读《乌托邦》核心段落的基础。精选的节选表明了英国人文主义者所参与的精心校准的游戏:第一本书和第二本书之间的主题两极化产生了紧张的领域,其中判断过程成为传播创新思想的重要催化剂,这要求改变司法现状以及当代英国普遍存在的价值观腐败。对围绕《乌托邦》(即作者写给他的人文主义朋友们的信件)的文本的结论性考察及其对文学审美的主题化,为这部划时代的作品的文学审美理解和预期接受提供了额外的层次
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Humanistica Lovaniensia
Humanistica Lovaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
6
审稿时长
20 weeks
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