The iDesign platform: immersive intelligent aesthetics for scenographic modelling

Q2 Arts and Humanities
Dennis Del Favero, Susanne Thurow, Lawrence Wallen
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引用次数: 0

Abstract

ABSTRACT This article introduces iDesign, a novel full-body immersive 3D digital set modelling system currently in joint development by the Sydney Theatre Company, the University of New South Wales’ iCinema Centre, the University of Technology Sydney, and the National Institute for Dramatic Art (Australia; 2018–21). Deploying a visualisation pipeline that utilises a 3D digital environment that remotely located creatives can share, iDesign enables collaborative ideation, testing and iteration of production design concepts in real time, to be supported by an artificially intelligent (AI) system. The article contextualises iDesign’s underpinning aesthetic rationale by reviewing the functionalities and ontological differences of physical and virtual models as epistemological conduits and representative objects. It outlines the system’s key features and capabilities and discusses them in relation to other visualisation approaches currently trialled across the entertainment industry, such as Virtual Reality (VR), 3D modelling suites and pre-visualisation software. Considering the system’s archival capabilities, the text further sketches iDesign’s value as an educational platform and closes with a reflection on the impacts of digital technologies on scenographic practice.
idedesign平台:场景造型的沉浸式智能美学
本文介绍了一种新型的全身沉浸式3D数字场景建模系统iDesign,该系统目前由悉尼剧院公司、新南威尔士大学电影中心、悉尼科技大学和澳大利亚国家戏剧艺术学院联合开发。2018 - 21)。iDesign部署了一个可视化管道,利用远程创意人员可以共享的3D数字环境,可以实时协作构思,测试和迭代生产设计概念,并得到人工智能(AI)系统的支持。本文通过回顾作为认识论管道和代表性对象的物理模型和虚拟模型的功能和本体论差异,将设计的基础美学原理置于语境中。它概述了系统的主要特性和功能,并讨论了它们与目前在娱乐行业试用的其他可视化方法的关系,例如虚拟现实(VR), 3D建模套件和预可视化软件。考虑到系统的档案功能,本文进一步概述了设计作为一个教育平台的价值,并以对数字技术对场景实践的影响的反思结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Theatre and Performance Design
Theatre and Performance Design Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
14
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