Gimme Shelter: At Home with the Millennium

IF 0.8 4区 社会学 Q3 CULTURAL STUDIES
Chris Cullens
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引用次数: 22

Abstract

What Foucault found to be true for the histories of sexuality, criminality, and sanity, is exemplified as well in the history of modernist art, architecture and design. The domestic, perpetually invoked in order to be denied, remains throughout the course of modernism a crucial site of anxiety and subversion. (Reed 16) Not only our memories, but the things we have forgotten are “housed.” Our soul is an abode. And, by remembering “houses” and “rooms,” we learn to abide within ourselves. Now everything becomes clear, the house images move in both directions: they are in us as much as we are in them. (Bachelard xxxvii)
给我庇护:与千禧年的家
福柯在性、犯罪和理智的历史中发现的真理,在现代主义艺术、建筑和设计的历史中也得到了例证。在现代主义的整个过程中,家庭,为了被否认而不断被唤起,仍然是焦虑和颠覆的关键场所。不仅是我们的记忆,就连我们遗忘的东西都被“安置”起来了。我们的灵魂是一个住所。而且,通过记住“房子”和“房间”,我们学会了住在我们自己里面。现在一切都变得清晰起来,房子的图像向两个方向移动:它们在我们身上,就像我们在它们身上一样。(Bachelard 37章)
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
5
期刊介绍: differences: A Journal of Feminist Cultural Studies first appeared in 1989 at the moment of a critical encounter—a head-on collision, one might say—of theories of difference (primarily Continental) and the politics of diversity (primarily American). In the ensuing years, the journal has established a critical forum where the problematic of differences is explored in texts ranging from the literary and the visual to the political and social. differences highlights theoretical debates across the disciplines that address the ways concepts and categories of difference—notably but not exclusively gender—operate within culture.
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