Audiovisual media consumption of the digital generation: The trend towards deep listening in the pandemic

IF 0.2 0 LANGUAGE & LINGUISTICS
L. A. Kruglova
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引用次数: 1

Abstract

"The article presents the results of a study of the consumption of audiovisual content on the Internet, in particular vodcasts in the Russian-speaking part of YouTube, by representatives of the Russian digital generation. Today, YouTube controls almost a third of the internet traffic in the world. More than 65% of viewers say they experience YouTube content as real life. For two COVID-19 years, we have seen a continued increase in interest in podcasting in Russia. YouTube media bloggers started making podcasts, but not just audio podcasts, but so-called vodcasts, that is, video bloggers audiovisually broadcast the process of recording a podcast on YouTube. There are several possible reasons for this trend: Joe Rogan's impressive popularity, the desire to try oneself in a new format, a tribute to fashion, the audience's request for longer and deeper content, etc. Based on the analysis of media preferences of the control group of representatives of the ""digital tribe"", an attempt was made to explore the content strategies of 59 Russian-language vodcasts on the site of the Russian-language YouTube, as well as their social media. The material of the study allows determining one of the vectors for the development of digital audiovisual content for deep and long listening during the pandemic. Comparative analysis was carried out on 23 audience, content, economic and other indicators. Based on the results of the study, it is possible to single out the audience's request for long pseudo-deep content, as opposed to super-short audiovisual forms (TikTok, Reels on Instagram, Watch on Facebook, etc.). In vodcasting, most bloggers only take the fashionable name ""podcast"", just some associative idea of the form, for their shows and interviews, thus trying to create an atmosphere of a confidential, unhurried, ""intimate"" and deep conversation, which is mainly inherent in radio or auditory communication methods."
数字一代的视听媒体消费:大流行病中深入聆听的趋势
这篇文章介绍了俄罗斯数字一代代表对互联网上视听内容消费的研究结果,特别是YouTube俄语部分的播客。如今,YouTube控制着全球近三分之一的互联网流量。超过65%的观众表示,他们将YouTube的内容视为真实生活。在2019冠状病毒病爆发的两年中,我们看到俄罗斯对播客的兴趣持续增加。YouTube媒体博主开始制作播客,但不仅仅是音频播客,而是所谓的播客,也就是视频博主在YouTube上以视听方式播放录制播客的过程。这种趋势有几个可能的原因:乔·罗根令人印象深刻的知名度,在新的形式中尝试自己的愿望,对时尚的致敬,观众对更长更深入的内容的要求等等。在分析“数字部落”代表的控制组媒体偏好的基础上,试图探索俄语YouTube网站及其社交媒体上59个俄语播客的内容策略。该研究的材料可以确定在大流行期间开发用于深度和长时间收听的数字视听内容的载体之一。对23项受众、内容、经济等指标进行对比分析。根据研究结果,有可能挑出观众对长伪深度内容的要求,而不是超短的视听形式(TikTok、Instagram上的Reels、Facebook上的Watch等)。在播客中,大多数博主在他们的节目和采访中只使用“播客”这个时髦的名字,只是一些形式上的联想,从而试图营造一种保密的、不慌不忙的、“亲密的”、“深入的”对话氛围,这主要是广播或听觉传播方式所固有的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
50.00%
发文量
0
期刊介绍: Tomsk State University Journal of Philology was established with the aim of: - publishing the papers and reviews on the topical issues of modern philology: linguistics, literary studies, communication studies; - promoting the development of theoretical and practical research in the field of socio-humanitarian knowledge; - forging links among scholars from different regions of Russia and other countries. Tomsk State University Journal of Philology is an independent research journal that welcomes submissions from across the world.
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