{"title":"Flawed Border Crossings in Life Writing by Fabienne Kanor and Gisèle Pineau","authors":"N. Edwards, and Christopher Hogarth","doi":"10.1080/08989575.2021.2045735","DOIUrl":null,"url":null,"abstract":"Abstract In this essay, the authors compares two works of life writing by two French-language writers of Caribbean origin: Gisèle Pineau and Fabienne Kanor. Both writers represent contemporary border crossings in their work and, importantly, contextualize these border crossings in terms of the history of the Caribbean and the legacy of slavery. Their texts are read through the lens of Michael Sheringham’s notion of the “autobiographical turning point”—an event in life writing that defines the life and the life writer, that changes the direction of the narrative, and that performs the acts of remembering and forgetting. The authors argue that these writers’ texts present border crossings as turning points in their narratives that are flawed or failures, and that these major events became spiraling rather than turning points.","PeriodicalId":37895,"journal":{"name":"a/b: Auto/Biography Studies","volume":"2011 1","pages":"543 - 558"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"a/b: Auto/Biography Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08989575.2021.2045735","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract In this essay, the authors compares two works of life writing by two French-language writers of Caribbean origin: Gisèle Pineau and Fabienne Kanor. Both writers represent contemporary border crossings in their work and, importantly, contextualize these border crossings in terms of the history of the Caribbean and the legacy of slavery. Their texts are read through the lens of Michael Sheringham’s notion of the “autobiographical turning point”—an event in life writing that defines the life and the life writer, that changes the direction of the narrative, and that performs the acts of remembering and forgetting. The authors argue that these writers’ texts present border crossings as turning points in their narratives that are flawed or failures, and that these major events became spiraling rather than turning points.
期刊介绍:
a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. For over thirty years, the journal has pushed ongoing conversations in the field in new directions and charted an innovative path into interdisciplinary and multimodal narrative analysis. The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to independent, anonymous peer review.