On the Ethics of Getting the Word Out: Rural Girls Reflect on Ownership in Participatory Visual Research in Rural South Africa

C. Mitchell, Ntomboxolo Yamile, M. D’Amico, Warren Linds, M. Denov
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Abstract

Despite the growing body of literature dedicated to ethical and methodological issues related to youth engagement and youth participation in arts-based research, the ethics of ownership in relation to the production and sharing of visual artefacts remains an understudied area. This work is particularly critical in the context of war-affected youth, and youth addressing issues of gender-based violence in their lives. Drawing on the voices and perspectives of a group of girls and young women affected by sexual violence in rural South Africa, we explore their views on the idea of ownership of the visual productions (videos, photos, policy briefs) created in an arts-based research project. As we highlight in the article, ownership is a complex ethical issue, and one that cuts across a range of concerns including consent, rights and personal engagement.
论传播的伦理:南非农村参与式视觉研究中农村女孩对所有权的反思
尽管越来越多的文献致力于与青年参与和参与艺术研究相关的伦理和方法问题,但与视觉文物的生产和共享相关的所有权伦理仍然是一个研究不足的领域。这项工作对于受战争影响的青年和处理生活中基于性别的暴力问题的青年尤为重要。我们以南非农村一群受性暴力影响的女孩和年轻妇女的声音和观点为基础,探讨她们在一个以艺术为基础的研究项目中对视觉作品(视频、照片、政策简报)所有权的看法。正如我们在文章中强调的那样,所有权是一个复杂的道德问题,涉及包括同意、权利和个人参与在内的一系列问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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