The Stakeholder Spectrum. The History and the Current State of Participatory Film in Hungary

IF 0.1 0 FILM, RADIO, TELEVISION
A. Müllner
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引用次数: 0

Abstract

Abstract The Research Centre for Minor Media/Culture (founded at the Department of Media and Communication, ELTE University, Hungary) includes a number of research areas and work processes. One of them is to reveal the history and to map the actual state of the participatory film in Hungary, concieved not just as a visual social research method, but as a wide spectrum on which there are many different examples according to the depth and nature of the involvement of the stakeholders. The academic activities in the Research Centre cover the historical and theoretical aspects of participatory film, its foreign and Hungarian antecedents, contemporary national and international examples. Following the definitions of the field and examples from abroad, the author attempts to delimit the possible sub-themes that belong or could belong to the scope of participatory film. The author also mentions some aspects that seem useful for the analysis of the research topics, specifically film examples. From these varied examples a broad repository of participatory-based film will hopefully emerge: the stakeholder spectrum.1
涉众谱。参与式电影在匈牙利的历史和现状
次要媒体/文化研究中心(在匈牙利ELTE大学媒体与传播系成立)包括许多研究领域和工作流程。其中之一是揭示匈牙利参与式电影的历史和实际状况,这不仅是一种视觉社会研究方法,而且是一个广泛的范围,根据利益相关者参与的深度和性质,有许多不同的例子。研究中心的学术活动包括参与式电影的历史和理论方面,其外国和匈牙利的前身,当代国家和国际的例子。在对领域的界定和国外范例的基础上,笔者试图界定可能属于或可能属于参与式电影范畴的子主题。作者还提到了一些似乎对研究课题的分析有用的方面,特别是电影实例。从这些不同的例子中,一个广泛的基于参与性的电影资源库有望出现:利益相关者光谱
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