{"title":"Why are good writers so rare? An evolutionary perspective on literature","authors":"I. Dunbar","doi":"10.1556/JCEP.3.2005.1.1","DOIUrl":null,"url":null,"abstract":"Evolutionary approaches to literature can take one of two directions. One is to ask what functions story-telling serves. The second is to ask what role cognitive mechanisms play in the production of story-telling. I argue that story-telling evolved as part of the group-bonding processes that are concerned primarily with limiting the freedom of movement of freeriders within society. I then examine the extent to which stories reflect the author's intuitive grasp of the evolutionary principles that underpin human behaviour. Finally, I examine the extent to which human social cognitive capacities constrain both audience and composer in the production of stories. I argue that, to be successful, story-tellers have to work at cognitive levels beyond the norm for adult humans, and this may explain why good story-tellers are rare even though the ability to appreciate stories is universal. I suggest that an author's success may be determined both by his/her intuitive understanding of the evolutionary factors that u...","PeriodicalId":89409,"journal":{"name":"Journal of cultural and evolutionary psychology","volume":"14 1","pages":"7-21"},"PeriodicalIF":0.0000,"publicationDate":"2005-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"38","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of cultural and evolutionary psychology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1556/JCEP.3.2005.1.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 38
Abstract
Evolutionary approaches to literature can take one of two directions. One is to ask what functions story-telling serves. The second is to ask what role cognitive mechanisms play in the production of story-telling. I argue that story-telling evolved as part of the group-bonding processes that are concerned primarily with limiting the freedom of movement of freeriders within society. I then examine the extent to which stories reflect the author's intuitive grasp of the evolutionary principles that underpin human behaviour. Finally, I examine the extent to which human social cognitive capacities constrain both audience and composer in the production of stories. I argue that, to be successful, story-tellers have to work at cognitive levels beyond the norm for adult humans, and this may explain why good story-tellers are rare even though the ability to appreciate stories is universal. I suggest that an author's success may be determined both by his/her intuitive understanding of the evolutionary factors that u...