Bridging the Divide in Cultural Capital? A Tale of Two Capitals

Q1 Arts and Humanities
Koers Pub Date : 2022-09-09 DOI:10.19108/koers.87.1.2534
R. Haines, Casper Lötter
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引用次数: 0

Abstract

More critical approaches are required in understanding the dynamics of creative economy and the interplay between its social, political and economic dimensions. Among the key contributions to the economic analysis of the creative economy are economist David Throsby, including his concept of ‘cultural capital’. This concept provides new ways of thinking of culture and value, primarily within a defined economic discourse. We also consider the work of Pierre Bourdieu on cultural capital and suggest that some form of synthesis of the two approach opens up possibilities. For one, such an exercise opens up debates within the academic discipline of economics, and secondly it allows fruitful interaction between economics and other social science discourses both disciplinary and transdisciplinary. It also provides us with understanding of the workings of the global economy and at a more abstruse level, to the ways in which contemporary capitalism is structured within the global economy.
弥合文化资本的鸿沟?《两个首都的故事
在理解创意经济的动态及其社会、政治和经济层面之间的相互作用方面,需要更批判性的方法。经济学家David Throsby对创意经济的经济分析做出了重要贡献,包括他的“文化资本”概念。这个概念提供了思考文化和价值的新方法,主要是在一个明确的经济话语中。我们还考虑了皮埃尔·布迪厄关于文化资本的工作,并建议某种形式的两种方法的综合开辟了可能性。首先,这样的练习打开了经济学学科内部的辩论,其次,它允许经济学和其他学科和跨学科的社会科学话语之间富有成效的互动。它还为我们提供了对全球经济运作的理解,并在更深奥的层面上,了解当代资本主义在全球经济中的结构方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Koers
Koers Arts and Humanities-Religious Studies
CiteScore
0.70
自引率
0.00%
发文量
6
审稿时长
12 weeks
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