Kings, Buffoons and Philosophers in Diego Velazquez’s Paintings: Russian Perspective

М. V. Silantieva
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Abstract

The author analyses the philosophic and anthropological notions embodied in the works of the great Spanish artist Diego Velázquez. In the author’s opinion, not only written texts have an underlying philosophy of their own, but creations of visual arts just as well. They, therefore, can be a subject to philosophical analysis. It certainly does not mean that they may be literally translated into a verbal text, but that they have a meaning and a message of their own, closely linked in their own way to their historical background, the spirit of the epoch in which they were created. That is what makes them topical for modern thinkers and explorers of visual arts. The author pays special attention to such subjects, constantly present in Velazquez’s works, as «The Mirror» theme, the correlation between the rational and the emotional side of human nature and, consequently, the essence of certain «anthropological constants» and, finally, the problem of human being as bearer of moral values.
迭戈·委拉斯开兹绘画中的国王、小丑和哲学家:俄罗斯视角
作者分析了伟大的西班牙艺术家迭戈Velázquez作品中所体现的哲学和人类学观念。在笔者看来,不仅文字文本有其内在的哲学,视觉艺术的创作也有其内在的哲学。因此,它们可以成为哲学分析的主题。当然,这并不意味着它们可以被逐字翻译成口头文本,而是意味着它们有自己的意义和信息,以自己的方式与它们的历史背景、它们被创造的时代精神密切相关。这就是为什么它们成为现代思想家和视觉艺术探索者的话题。作者特别关注在委拉斯奎兹的作品中不断出现的主题,如《镜子》主题,人性的理性和情感方面之间的关系,因此,某些“人类学常数”的本质,最后,人类作为道德价值观的承载者的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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