Composition and structure of Creative unions of Kazakhstan in the 60s of the twentieth century

T. Y. Sаtbay
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Abstract

The Kazakh representatives of the artistic intellectuals in the Soviet period are known to be united into single creative unions. This enabled to keep them under the complete party and state control. In the first post-war decades, there were no significant substantive and form changes in the activities of the creative unions of the republic. Their composition and structure changed slowly. However, during the years of the Soviet “thaw” and “stagnation”, a new generation of Kazakh intellectuals, the so-called Kazakh “sixties” was formed. The article deals with the process of changes that took place in the 1960s in the composition and structure of the creative unions of Kazakhstan, as well as their importance in the cultural and spiritual life of Kazakhstan. In the 60s, the quantitative and qualitative changes took place in the structure of the creative unions of Kazakhstan. If in the first post-war years, the members of creative unions predominated, and their worldview was greatly influenced by the repression of 1937-1938, in the new conditions the representatives of a new generation began to be admitted to the Unions, whose worldview was formed during the years of the “thaw” (1954-1964). The views of the new generation were characterized by a relatively sense of freedom. It was also seen in their art. The intellectual cultural movement in the Soviet Union contributed to the emergence of the movement of the “sixties.” The prominent representatives of the Kazakh “sixties” were O. Suleimenov, I. Yessenberlin, M. Magauin, A. Seidimbek, Sh. Kaldayakov, S. Mukhamedzhanov, G. Zhubanova, R. Seidalin and others. The representatives of the new wave took an active part in the cultural life of Kazakhstan, creating a new cultural atmosphere in the life of the republic. Key words: creative unions, writers, artists, unions of architects and composers, artistic creativity, improvisational poets, folklore, masters of applied art, melodist-composers.
20世纪60年代哈萨克斯坦创意工会的组成和结构
众所周知,苏联时期哈萨克族艺术知识分子的代表是团结成单一的创作联盟的。这使得他们完全处于党和国家的控制之下。在战后最初的几十年里,共和国创造性工会的活动并没有实质性和形式上的重大变化。它们的组成和结构变化缓慢。然而,在苏联“解冻”和“停滞”期间,新一代哈萨克知识分子,即所谓的哈萨克“60年代”形成了。本文论述了20世纪60年代哈萨克斯坦创造性工会的组成和结构发生的变化过程,以及它们在哈萨克斯坦文化和精神生活中的重要性。60年代,哈萨克斯坦创造性工会的结构发生了数量和质量上的变化。如果说在战后的最初几年里,创意工会的成员占主导地位,他们的世界观受到1937-1938年镇压的极大影响,那么在新的条件下,新一代的代表开始被接纳加入工会,他们的世界观是在“解冻”时期(1954-1964年)形成的。新一代的观点具有相对自由的特点。这也体现在他们的艺术中。苏联的知识分子文化运动促成了“六十年代”运动的出现。哈萨克“六十年代”的著名代表有苏莱曼诺夫、叶森柏林、马戈因、塞季姆别克、卡尔达亚科夫、穆哈迈达扎诺夫、朱巴诺娃、塞达林等人。新浪潮的代表们积极参与哈萨克斯坦的文化生活,在共和国的生活中创造了新的文化氛围。关键词:创意联盟、作家、艺术家、建筑师与作曲家联盟、艺术创造力、即兴诗人、民俗学、应用艺术大师、旋律作曲家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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