Stretch Cunningham, We Hardly Knew You: Seeing Jews and “Others” through Archie Bunker’s Eyes

IF 0.1 0 FILM, RADIO, TELEVISION
J. Demsky
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引用次数: 1

Abstract

ABSTRACT:All in the Family’s Archie Bunker was a mouthpiece for 1970s white working-class men. Theirs was an anxious decade. Peddling stereotypes, “othering” those unlike them, enabled this group to assert their threatened authority. Analyzed as popular media texts, the show’s many intersections with bigotry and anti-Semitism reveal unique insights into 1970s American life, especially the Jewish American experience. During the series’ decade-long run, Bunker gradually confronted and softened his prejudices. However, this was not the case among all “Archies,” a reality still visible in current times. Surveying the show’s racialist meditations against the backdrop of “tiki torchers” and Trumpism reminds viewers about the fraught nature of American identity, explaining why some Jews may elect to pass.
《我们几乎不认识你:通过阿奇·邦克的眼睛看犹太人和“其他人”
摘要:阿奇·邦克是20世纪70年代白人工人阶级男性的喉舌。他们度过了焦虑的十年。兜售刻板印象,“其他”与他们不同的人,使这个群体能够维护他们受到威胁的权威。作为流行媒体文本分析,该剧与偏执和反犹太主义的许多交叉点揭示了对20世纪70年代美国生活,尤其是美国犹太人经历的独特见解。在长达十年的播出过程中,邦克逐渐直面并软化了自己的偏见。然而,并非所有的“阿奇”都是如此,这一现实在当今时代仍然可见。在“提基火炬”和特朗普主义的背景下审视这部剧的种族主义思考,提醒观众美国身份认同的令人担忧的本质,解释了为什么一些犹太人可能会选择放弃。
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来源期刊
CiteScore
0.50
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期刊介绍: Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
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