{"title":"Stretch Cunningham, We Hardly Knew You: Seeing Jews and “Others” through Archie Bunker’s Eyes","authors":"J. Demsky","doi":"10.13110/jewifilmnewmedi.7.1.0023","DOIUrl":null,"url":null,"abstract":"ABSTRACT:All in the Family’s Archie Bunker was a mouthpiece for 1970s white working-class men. Theirs was an anxious decade. Peddling stereotypes, “othering” those unlike them, enabled this group to assert their threatened authority. Analyzed as popular media texts, the show’s many intersections with bigotry and anti-Semitism reveal unique insights into 1970s American life, especially the Jewish American experience. During the series’ decade-long run, Bunker gradually confronted and softened his prejudices. However, this was not the case among all “Archies,” a reality still visible in current times. Surveying the show’s racialist meditations against the backdrop of “tiki torchers” and Trumpism reminds viewers about the fraught nature of American identity, explaining why some Jews may elect to pass.","PeriodicalId":40351,"journal":{"name":"Jewish Film & New Media-An International Journal","volume":"1 1","pages":"23 - 47"},"PeriodicalIF":0.1000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Film & New Media-An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/jewifilmnewmedi.7.1.0023","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT:All in the Family’s Archie Bunker was a mouthpiece for 1970s white working-class men. Theirs was an anxious decade. Peddling stereotypes, “othering” those unlike them, enabled this group to assert their threatened authority. Analyzed as popular media texts, the show’s many intersections with bigotry and anti-Semitism reveal unique insights into 1970s American life, especially the Jewish American experience. During the series’ decade-long run, Bunker gradually confronted and softened his prejudices. However, this was not the case among all “Archies,” a reality still visible in current times. Surveying the show’s racialist meditations against the backdrop of “tiki torchers” and Trumpism reminds viewers about the fraught nature of American identity, explaining why some Jews may elect to pass.
期刊介绍:
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.