Odessan courtyard as a symbol of humor and nostalgia on Russian television

Q1 Social Sciences
Inna Kabanen
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引用次数: 2

Abstract

ABSTRACT Odessa as a place of contradictions, the mythological ‘cradle of Revolution’ and the capital city of humor, is an essential part of Soviet and post-Soviet culture. Recently, there seems to be an increased longing for simple values and genuine interpersonal relationships that could be found in places of communal living, such as the (in)famous Odessan courtyards. Television and film industry feed the nostalgic feelings with productions set in Odessa, and the scenes that take place in Odessan courtyards often feature reassuringly stereotypical characters. The aim of this article is to analyze how humor and nostalgia are conveyed in such content and the emotional response they obtain from the audience.
敖德山庭院作为幽默和怀旧的象征出现在俄罗斯电视上
敖德萨是一个充满矛盾的地方,是神话中的“革命摇篮”和幽默之都,是苏联和后苏联文化的重要组成部分。最近,人们似乎越来越渴望简单的价值观和真正的人际关系,这些可以在公共生活场所找到,比如著名的敖德萨庭院。电视和电影行业以敖德萨为背景,为怀旧之情提供素材,而发生在敖德萨庭院里的场景往往以令人放心的刻板形象为特色。本文的目的是分析幽默和怀旧在这些内容中是如何传达的,以及它们在观众中获得的情感反应。
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来源期刊
Russian Journal of Communication
Russian Journal of Communication Social Sciences-Political Science and International Relations
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期刊介绍: Russian Journal of Communication (RJC) is an international peer-reviewed academic publication devoted to studies of communication in, with, and about Russia and Russian-speaking communities around the world. RJC welcomes both humanistic and social scientific scholarly approaches to communication, which is broadly construed to include mediated information as well as face-to-face interactions. RJC seeks papers and book reviews on topics including philosophy of communication, traditional and new media, film, literature, rhetoric, journalism, information-communication technologies, cultural practices, organizational and group dynamics, interpersonal communication, communication in instructional contexts, advertising, public relations, political campaigns, legal proceedings, environmental and health matters, and communication policy.
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