{"title":"RhythmSynthesis: visual music instrument","authors":"Ryan Raffa","doi":"10.1145/2069618.2069724","DOIUrl":null,"url":null,"abstract":"Originating as an investigation into the relationships between rhythm and technology, RhythmSynthesis applies color, shape, and sound to demonstrate how our understanding of visual music, computation, and tangible, audio-visual interactions can be applied as considerations in musical compositions. As an instrument, the final piece allows for experimentation, rewards for mastery, and is a vehicle for expression.\n By asking questions about how visual music can be used to perceive rhythm, what ways visual rhythms can be used for composition, and what ways composition can be intertwined with performance and experimental notation, this project illustrates that sound is a reliable and effective way to provide users feedback for making visual composition decisions, judgments, and actions. From amateur to professional musicians, the instrument allows for unique, personal interactions and expressive choice.","PeriodicalId":90479,"journal":{"name":"Creativity & cognition : proceedings of the ... Creativity & Cognition Conference. Creativity & Cognition Conference","volume":"11 1","pages":"415-416"},"PeriodicalIF":0.0000,"publicationDate":"2011-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Creativity & cognition : proceedings of the ... Creativity & Cognition Conference. Creativity & Cognition Conference","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/2069618.2069724","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3
Abstract
Originating as an investigation into the relationships between rhythm and technology, RhythmSynthesis applies color, shape, and sound to demonstrate how our understanding of visual music, computation, and tangible, audio-visual interactions can be applied as considerations in musical compositions. As an instrument, the final piece allows for experimentation, rewards for mastery, and is a vehicle for expression.
By asking questions about how visual music can be used to perceive rhythm, what ways visual rhythms can be used for composition, and what ways composition can be intertwined with performance and experimental notation, this project illustrates that sound is a reliable and effective way to provide users feedback for making visual composition decisions, judgments, and actions. From amateur to professional musicians, the instrument allows for unique, personal interactions and expressive choice.