Implementation of Chinese-styled branding in global fashion: ‘Guochao’ as a rising cultural identity

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY
Zhe Wang
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引用次数: 0

Abstract

Culture-specific Chinese-styled branding as a rising trend in cultural and branding studies has provided new discourse for the discussion on the national identity of Chineseness or chinoiserie that has long existed, with further reflections on the Chinese fashion brand design known as ‘Guochao’, which has become an increasingly ubiquitous new conceptual identity in the past five years. Chinese fashion brands are changing their peripheral cultural status and impacting global fashion, transforming the global recognition of Chinese national identity and style in the field of fashion. This article investigates this emerging phenomenon in the global fashion system and theorizes ‘Guochao’ as a rising cultural identity that reconfigures and readdresses the national identity in Chinese fashion branding practices in terms of its connotations and industry applications. It shows that the ‘Guochao’ identity can be separated into two sub-connotations: one that addresses the connotations of ‘Guo’ that symbolize, rejuvenate and rematerialize Chinese historical and material culture, and one that emphasizes the ‘Chao’ discourse, featuring subtle Chinese symbolism that incorporates strong western street style and further blurs the boundaries in the West‐East aesthetic binary system. Through case studies on the brand designs and campaigns of two Chinese designer brands that are paradigmatic of the ‘Guo’ identity, Angel Chen and MUKZIN, and two classic Chinese sportswear brands that are representatives of the ‘Chao’ identity, Li-Ning and Warrior Shanghai, the theoretical connotations of ‘Guochao’ as a rising cultural identity in Chinese-styled branding are discussed. This article theorizes ‘Guochao’ as a recreated representative cultural identity in global fashion that challenges the world’s understanding of chinoiserie in the field of fashion and further showcases the popularization of Chinese-styled branding in Chinese fashion.
中国风格品牌在全球时尚中的实施:“国潮”作为一种崛起的文化认同
具有文化特色的中国式品牌作为文化和品牌研究中的一个新兴趋势,为长期存在的中国性或中国风的国家认同的讨论提供了新的话语,并进一步反思了中国时尚品牌设计“国潮”,这在过去的五年里已经成为一种越来越普遍的新概念认同。中国时尚品牌正在改变自己的边缘文化地位,影响着全球时尚,改变着全球对中国民族身份和时尚风格的认可。本文对全球时尚体系中的这一新兴现象进行了研究,并将“国潮”作为一种新兴的文化认同进行了理论化,从内涵和行业应用方面重新配置和重新定义了中国时尚品牌实践中的民族认同。它表明,“国超”身份可以分为两个子内涵:一个是“国”的内涵,象征着中国历史和物质文化的象征、复兴和再物化;另一个是强调“超”话语,以微妙的中国象征主义为特征,融合了强烈的西方街头风格,进一步模糊了东西方审美二元体系的界限。本文将“国潮”作为一个在全球时尚界再造的具有代表性的文化身份,挑战了世界对中国风在时尚界的理解,进一步展示了中国风格品牌在中国时尚界的普及。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Fashion Style & Popular Culture
Fashion Style & Popular Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
53
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