Self-Back-Translation by Haruki Murakami: A Self-Translator’s Perspective

Tomoko Takahashi
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Abstract

Self-back-translation is an uncommon practice in which a bilingual author retranslates the already translated text of their writing back into the original source language. A good example of self-back-translation comes from one of the short stories by Haruki Murakami, a renowned Japanese author and translator, who back-translated the English translation of his short story “Rēdāhōzen [Lederhosen]” into Japanese and published it as a new version. This peculiar practise of self-back-translation has led a handful of translation researchers to probe into some of the ongoing debates in translation studies from new perspectives—e.g., to examine the relationship between intralingual and interlingual translation, the originality and translation, the translator’s (in)visibility, and more. Asking questions such as these, this paper examines the nature and purpose of self-back-translation and the role of translation in general, particularly from a self-translator’s perspective, by Murakami’s self-back-translation with another example by a self-translator. The study has found that much could get lost while going through the filtration process of self-back-translation, but much could be gained. Whether it is interlingual or intralingual translation, the end-product of this process could be an improvement from the source text—i.e., the translation sometimes exceeds the original. This is why some writers self-(back)-translate.
村上春树的自我反译:一个自我译者的视角
自回译是一种罕见的做法,即双语作者将已翻译的作品重新翻译成原语。日本著名作家兼翻译家村上春树的短篇小说《Rēdāhōzen [Lederhosen]》就是自我反译的一个很好的例子。村上春树把自己的短篇小说的英文译本反译为日文,并以新版本出版。这种独特的自反译现象使得一些翻译研究者从新的角度来探讨翻译研究中的一些争论。,考察语内翻译与语际翻译、原创性与翻译、译者可见性等之间的关系。本文以村上春树的自反译为例,从自译者的角度探讨了自反译的性质、目的和翻译的作用。研究发现,在自我反译的过滤过程中,可能会丢失很多东西,但也可能获得很多东西。无论是语际翻译还是语内翻译,这个过程的最终产物都可能是对源文本的改进。在美国,译文有时超过原文。这就是为什么有些作家会自我(反向)翻译。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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